And then the final little reason why it's so crisp is that there's not one frame of motion blur anywhere in the movie. But it really just makes it feel crunchy and crispy and – So we stripped out everything, we animated this on twos, and they had to write a bunch of new algorithms and things to try to make up for the lost simulations of all that stuff, like hair and cloth. In traditional hand-drawn animation, you only needed twelve drawings to fill it up because your eye can't catch that little – you can hold a drawing for two frames, but if you hold a drawing for three, your eye can kind of catch the fact that it's being held. Then the final thing that really makes it feel a lot different is, there's 24 frames a second in film, and in all CGI right now, there's a new image for every frame of movement.
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